Tanoto Foundation Centre for Southeast Asian Arts at NAFA

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PERFORMING ARTISTE - CHUA POH YI, JOEY

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MEDIA REPORTS

 

寻找生命艺义
Source:《星期五周报》
Date:5 October 2001
Annotation:专访蔡宝玉，谈她为何选择舞蹈为职业，并指出一般人认为舞蹈不能谋生，其实，她认为只要好好的练舞，成为一流舞蹈家后，艺术是能饭吃的。

 


当代舞演出“B-芭蕾”
Source:《联合早报》
Date:26 November 2001
Annotation:由蔡宝玉带领一班日本、纽约、本地和南洋艺术学院学生的舞者，在11月27和28日演出“B-芭蕾”，届时也将会融入南艺师生的雕塑、美术创作和投影等。

 


Dans och nyskapande i Rydal
Source:Markbladet
Date:7 December 2011
Annotation:Sweden’s regional newspaper feature on dance residency in Rydal, Sweden; published on 7 December 2011.

 


Gåster på kreativt utbYte
Source:Borås Tidning
Date:2 December 2012
Annotation:Sweden’s regional newspaper feature on dance residency in Rydal, Sweden; published on 2 December 2011.

 


Sista gåsterna pa rydildesigncdnter
Source:Hallands Nyheter
Date:2 December 2011
Annotation:Sweden’s regional newspaper feature on dance residency in Rydal, Sweden; published on 2 December 2011.

 


Una ballarina de Singapur actua aquesta nit al Forn de la Calç
Source:Regio 7
Date:11 August 2010
Annotation:Spain’s regional newspaper article feature on solo dance performance in Barcelona on 11 August 2010.

 


My View by Robyn Sassen - Tracing
Source:Artslink.co.za
Date:3 May 2009
Annotation:Tracing isn’t fanfare and bigness, but the dancers use the large space of the Dance Factory stage with the wonder and freedom of youthful experimentation; you do not come away with a broader message or an answer to anything big and universal.

 


Dance Umbrella: Triple Bill
Source:Artslink.co.za
Date:3 April 2011
Annotation:"….Bhayi’s “Tracing”, a gentle sophisticated piece about childhood he choreographed and danced in collaboration with Joey Chua Poh Yi. the result of a Singaporean residency two years ago." – Robyn Sassen

 


Repression v. Oppression: Finding the Balance
Source:KL Dance Watch
Date:1 August 2008
Annotation:"Joey’s solo……entitled Precious, offers intellectual interest as well as clarity of movement."– Bilqis Hijjas

 


Dance and Theatre : previews, interviews and reviews of dance and theatre in Thailand
Source:The Nation
Date:2 November 2008
Annotation:"This intercultural performance flew smoothly and naturally back and forth between dialogues and dances which seemed to find the right balance……In the end, the billing of “Tracing” as a “work in progress [was] humble indeed."– Pawit Mahasarinand.

 


Sharing i - the coloured ladies by Frontier Danceland
Source:The Flying Inkpot
Date:8 September 2000
Annotation:"Playing both choreographer and performer, Chua was perhaps the most competent dancer that evening with her smooth leg extensions and swift turns." – Malcolm Tay.